Are you trying to find a spectacular copper cuff that will add a burst of fabulous style to just about any outfit? This hand made copper cuff bracelet fits the bill!
The deep hand chased pattern on both the inside and outside areas adds dimensional allure. “Chased” means to be texturized and is an in demand technique with the flexible copper material.
Traditionally, the 7th anniversary is the year of copper! And if you really want to create the perfect gift, you can also purchase some matching copper earrings.
Copper is among the top crazes in contemporary handmade jewelry today. Copper is extensively available and very easy to work with, making it both a designer and fan favorite. It’s unbelievably easy to polish and texturize. It looks great combined with rough cut gem stones, yet another contemporary jewelry trend. Even top stars are getting on the copper band wagon, flaunting their spicy bling on the red carpets.
Copper is known for being able to stand the test of time. This chased copper bracelet, however, is coated with a protective coating that will keep its original color intact.
San Francisco, CA— Jewelry designer John S. Brana has announced that his eponymous collection of handmade fine jewelry has been selected as a runner-up winner for the 2014 Best of the Bay Area A-List. This marks his fifth honor in the Best Fine Jewelry category.
The Bay Area A-List is a website that awards Bay Area businesses honors in 168 categories. Winners are determined based on the tabulation of more than 37,000 votes from local residents and industry experts. Winners are given a web page to promote their products and services, and new results are published annually.
In the 2014 Best of the Bay Area A-List Awards, Brana’s designer jewelry collection received Runner-up Award – Best Fine Jewelry, ranking in second place out of 45 local San Francisco handmade jewelry collections in the Fine Jewelry category. His handmade fine jewelry line won Runner-Up awards in 2010 and 2013 and was named a Finalist in the Fine Jewelry category in 2012.
The line of designer jewelry made from copper, aluminum, fine silver and gold received the Best Designer Jewelry Award in 2008. On John S Brana’s Handmade Jewelry profile page of the Bay Area A-List Awards, more than 35 voters are quoted, describing the quality craftsmanship and unique designs of the John S. Brana Jewelry Collection.
John S. Brana Handmade Jewelry is a collection of fine jewelry produced in San Francisco. The pieces in the collection are handcrafted from a variety of precious metals, including fine silver, sterling silver, copper, gold and aluminum. Embellishments like freshwater pearls and faceted gemstones are used in many pieces and are all hand-selected to ensure that every piece is of high quality. Designs are inspired by natural elements from the texture of tree bark to the colors of flowers. Pieces are sold online at Johnsbrana.com.
John S. Brana is the artist behind the collection and the owner of the jewelry line. His career began in law and banking, and he formerly served as a Vice-President for Finance for The Charles Schwab Corporation. In 2003, Brana was inspired to leave the corporate world and begin producing his own handmade fine jewelry. The collection debuted in 2004 and is produced at Brana’s San Francisco studio.
Opal lovers the world over have always believed that sooner or later other gems were bound to be reproduced in the laboratory by man, but opal — Never! Not so, however! It is true! Pierre Gilson, formerly of France and now Geneva, Switzerland (who has also created the Gilson emerald and turquoise), has now produced an opal gemstone with all the likeness and beauty of those which are dug from the earth! In fact, the, latest development from the Gilson research laboratories is the most prized type of all — that rare beauty — the black opal!
Lest there be some confusion about “imitation” and “synthetic” gemstones Jet’s clear up that one: An “imitation” gemstone is one which simulates the appearance, and perhaps other characteristics, of the genuine stone found in nature. A “synthetic” gemstone is a duplication of what nature created, with all the same characteristics (chemical properties, density, refractive index, crystal structure, luster, etc.) — in effect, a synthetic gemstone is the same thing as produced in nature only it is produced in laboratories by men!
It is uncertain how long it may have taken for nature to produce a given opal — or how much longer it lay in the earth before being discovered. It requires between one to 1½ years to “make” an opal in the Gilson laboratories. The processes involved in production of these new man-made opals is exceedingly complicated, and requires the use of most sophisticated laboratory equipment by skilled scientists. At all times during the long period of its “growth,” the created opal must be guarded and monitored carefully, day and night, with temperatures, pressure, etc. closely controlled. The opal made in a large “chunk,” which is cut into gemstones before the opal is offered for sale.
To distinguish these opals from an opal produced in nature requires careful and technical examination by a skilled expert. Ultraviolet light tests, photographic tests, and specialized microscopic examinations, properly applied, will enable the trained observer to separate one from the other.
The Gilson opals are available from dealers and jewelers, and they do command a price quite comparable to the natural opals of similar quality. The reports we hear are that they are quite “stable” — that is — free from the tendency to cracking. Do keep on the lookout for these Gilson created gems — they are not likely to be misrepresented, and you are sure to enjoy seeing a beautiful gem!
Drive out to the boondocks of northwestern Nevada, to the Duck Lake region, to be specific, and you can hunt for some really beautiful, colorful agate known as Tuledad agate. You can also find billions of pastel and brown and black chips of jasper, jaspagate, chert, chalcedony, opalite and petrified wood, these latter to be found on the flat around the lake.
The region is easily reached from two directions: from the north, if you come into Surprise Valley in northeastern California via Highway 299, you turn south at- Cedarville and drive to the end of the valley, a matter of some 35 plus miles, then follow the highway through the narrow pass which outlets into Duck Lake Valley. It is a mere 2 miles to the signpost on the west side of the highway which points out the turnoff to Tuledad Canyon (and Red Rock, farther west.)
But should you come in from the south, you take Highway 34 which turns north from Highway 80, to pass through the Paiute Indian village of Nixon, then skirts the south end of Pyramid Lake before heading due north to Gerlach. At Gerlach, Highway 34 turns through Gerlach to head due north again, while you continue on Highway 81 which jogs west a short distance to turn due north. Forty- seven miles’ drive brings you to Duck Lake and its vast perimeter of dry flat. In season, and depending upon rainfall, the lake itself generally has water in the center. There are also springs in the middle, surrounded by coarse grass, and it is swampy, the water is not potable.
The Tuledad region lies in the high country west of the lake. To reach it, follow the track from the signpost which heads west around the north end of the lake, and parallels the mountain slopes. Approximately a couple of miles from the signpost, you’ll come to another signpost at the foot of a steep, winding road which heads up the mountain to the mesa ahovo. The sign designates Tuledad again, so you can’t miss it.
Incidentally, whenever any of us go to Tuledad we send a scout ahead to test the condition of the road. This is a necessary procedure because often especially after spring storms and consequent runoffs — the road could be completely washed out.
Rounding the top of the grade, the track heads in a southerly direction, along the foot of the slope that spreads away over this high valley. Just a short distance along and you begin to spot the poorer grades of agates, rejects of other rock hounds and weather- split nodules and pieces. They lie scattered in all directions, so you know you’re in the right place. We always start our search by prowling along the ravines and up and down the gullies, because you have a good chance of coming across some washed-out Tuledads of good quality.
When we were up in late April, the snow was still mantling the upper ridges and, though the sun was quite warm, the winds were chilly. So remember to bring warm coats and caps if you plan on visiting this area before the summer months. Although this region has been collected over for many years, surpassingly, as many more prize agates are found by lucky and persistent collectors. The agates appear to remain hidden within the earth until such time as heavy rains and melting snows uncover them, or flush them away down the ravines.
Another reason that not more Tuledad are found is that, unless you know exactly what to look for in these agates, you can easily pass them up because they possess a tough, though thin rind of a somewhat yellowish and pink-brown color very like their country cousins. So when you pick up an extra heavy rock, he sure to knock off a corner and check the interior for agate.
These lovely agates are found in many colors from soft pastels ranging from cream, buff, pinks, salmon, tan, yellows, orange and brown, to palest green on to deep green. Many possess beautiful “scenes” in their color patterns. A few I have seen had drusy centers, some actually in crystal.
Even the discovery of one lovely Tuledad makes your day! Naturally, certain rock hounds have their favorite hunt-areas, and they are not about to share them. But if you are lucky, you may discover a favorite nodule nest, too!
While you are up on Tuledad you might be interested in looking at the petrified wood hill which lies just five miles to the west, along the road you are on. Look to your right, north, and you’ll spot a low hill with a white, ashy- looking area about several hundred feet up. A diagonal track leads up to it, but you’ll have to keep your eyes peeled for it. It is hard to locate as it is all but obscured by brush. We went up twice.
Those with heavy campers left them along the road and hitched rides with those of us with lighter vehicles. We found the wood to be quite crumbly and poor grade. Evidence was there, however, that someone had gone in with power tools and excavated the whole trunks. (Strictly against the law!) We recovered small chips and chunks in colors ranging from cream to golden and dark brown. A few pieces I found were quite opalitized, and a rich golden, tawny, orange to dark brown. I found a nice core in such a dark brown it was almost black, and hard enough to cut. But most of the petrified wood was just good for small specimens and decorations.
Why is it that the “other side” always seems to be better? Well, in this instance the other side WAS better, for some reason or other . . . at least in my case. My husband elected to hunt from the west side, while I hunted along the east side of the water. And it wasn’t long before I began finding some really good Tuledad agates. Small, true, but of a good color and “juiciness.” They were so clear they were almost translucent all the way through. As our eyes became accustomed to all the rocks jumbled about in and around the water, the good semi-gemmy agates shone in the sunshine above their dud cousins, making it a cinch for us to locate. The sun was a big help too, for it was at such an angle so as to highlight them. That was really our lucky day!
I spotted one agate, a dark green shining beauty about 10 inches long by 4½ inches wide by 4 3/4 inches tall. I almost lost my breath. The rind was partially on the agate, but in such a way as to give it a crusty appearance. Very attractive. Besides the crusty bits were an olivine color. I plan on watching the weather hereafter so we can again hunt the run-off from that canyon!
I found some very pretty agates… cobbles really, in shape, and some smaller chunks. Colors ranged from pale yellow to salmon pink and cream to light milk-chocolate with bands of darker green. Most effective. There was one, broken in half unfortunately (and we never discovered the other half) that had a light sprinkling of drusy quartz in the center. These quartz centers, by the way, are rare and hard to find these days. My friend, who showed me several that were cut in half and polished, with gorgeous crystal centers, had collected hers years ago, before the surface nodules had been collected out. However, we still hope someday to find a washed- out Tuledad that is perfect in every way . . . a prize! And it is possible, because they keep getting washed out, so they must come from somewhere!
Perhaps it would be in order here to acquaint you with Nevada’s newest law regarding the collecting of gemstones, specimens and other goodies from that State. I wrote to the Department of Economic Development in Carson City for up-to-the- minute advice for our rock club, and this is the information:
“Nevada welcomes visitors to come and search for the many minerals and gems to be found. But Nevada discourages the commercial hunter with his power shovels and dump trucks, and reminds those who hunt gemstones in that manner that there is a law prohibiting ‘destruction or removal of natural specimens.’”
They go on to state: “You’re welcome to samples in unposted areas, but don’t be greedy!” (The Duck Lake region is unposted.) Most of us, as rock hounds, heartily agree with this law. If there were no law such as the above, in no time we rock hounds would discover that there was absolutely nothing left for us to hunt for! We all know, to our dismay, that there are many fine collecting sites in all parts of the country which have been closed to us because of the greed and inconsideration of the few who think of no one else but themselves.
Luckily, in hunting for the colorful Tuledad agates, that is just what you do, hunt for them; search those ravines, gullies, slopes and flats, and enjoy the pure, bracing air of this remote unspoiled region, and best of all bring home some good new material to work with!
Looking for a wonderful gift idea for that someone special, or even yourself? Have you thought of handmade jewelry? There are countless well-designed pieces of jewelry by hand crafted artists of Seattle. Consideration must be given to a few things before you going out to your favorite Seattle arts festival or gallery. Firstly, you ought to think about what their tastes are like when it comes down to fashion and jewelry. Among the best ways to make certain that your gift of handmade jewelry will be well received is to first figure out if it fits within the individuals personal tastes. You will find nothing more embarrassing than offering a gift of handmade yellow gold jewelry to someone that commonly wears only white gold, silver or platinum jewelry. Perhaps you may also want to examine what they’ve most of and pair it with a different category of jewelry. If they have lots of band and cocktail rings, you might want to get them a set of earrings or maybe a bracelet or necklace, just to be different.
Always choose quality over quantity every time when shopping for handmade jewelry. If you are comparison shopping, don’t get suckered in to thinking a larger piece is a better value if the quality isn’t equal to smaller sized jewelry that is better made. Always go for quality! Speaking of price, those on a budget simply need to remember that good handmade jewelry is not always expensive. Remember that in the end, like many things in life, quality usually wins out, and this is especially true with handmade jewelry.
Similar to innovations in civilization, jewelry design and styles have progressed in keeping with new materials and manufacturing methods. Jewelry design developed during the Stone Age to the Bronze age and again during the Iron Age through the Industrial Revolution, only to return back to very basic forms in design and materials. Hand crafted jewelry has adorned mankind long before man had the ability to reason. Early man employed flowers, hand woven grasses, shells, and stones as accessories to accentuate and beautify the human body. We might have been wearing jewelry as far back as 75,000 years ago — 30,000 years earlier than previously assumed — according to an interesting report by National Geographic News.
Today, jewelry is primarily machine made, allowing manufacturers to generate uniform jewelry designs much more economically than traditional hand crafting and hand-casting techniques allow. CAD/CAM design and high-volume casting machines allow many Seattle jewelry manufacturers to efficiently turn designs into uniform molds and onto finished jewelry with speed and uniformity. Mechanical forges and punch presses are also used by Seattle jewelry manufacturers to produce simulated “handmade” effects and patterning like a hammered or chased appearance, ensuring that production is both consist ant and highly profitable.
During the past decade, a great interest in handmade jewelry has taken place. Many consumers are seeking jewelry with greater individuality and uniqueness that handmade jewelry designers in Seattle have to offer over mass-produce pieces. Given this renewed interest in handmade, many Seattle jewelry designers are seeing greater demand for their talents and designs for unique handmade jewelry. it is not uncommon these days to see your favorite major department store or art gallery devote retail space to designer handmade jewelry. The internet has also made handmade jewelry very accessible to a world wide following. Many handmade jewelry artisans can enjoy the benefits of selling directly to a world-wide clientele.
The most basic definition of handmade jewelry is that it is crafted by hand as opposed to mechanically made by a machine. To most purest, this definition goes further to mean that the total process is done by hand. Many consumers and artisans get this definition wrong. Attaching machine made components to one another by hand does not make the piece handmade. Utilizing a wide variety of techniques to create desired forms and shapes, handmade jewelry designers use metalsmithing skills like forging and fabrication along with a variety of simple tools. One of the key indicators that a piece of jewelry is truly handmade is through observation of dissimilarity. Does the piece have uniform or varied hammer marks? Individuality, culture, and meaning are clearly evident in handmade objects. Handmade jewelry techniques require considerable concentration, time, skill, creativity, and dedication. This is often clearly recognizable in the finished piece, making fine handmade jewelry stand out from mass-manufactured, uniform items.
Some handmade, traditional-style jewelry appears less perfect than machine-made jewelry, although high quality handmade jewelry should nonetheless be made to last, and this should be apparent in the details. More often than not, manufactured jewelry has a higher probability of breaking than its handmade counterpart. Many department stores sell “handmade jewelry” labels, but this doesn’t necessarily mean high quality. Many of these “handmade” pieces are actually hand-assembled pieces that are composed of mass-produced components (findings) and are quickly assembled by hand. Most jewelry manufacturers that specialize in mass-produced jewelry usually run on a piecemeal or quota based system, incentivising higher output, usually resulting in lower quality. The more you make, the more you get paid or you get to keep your job. Over the long run, you would be much better off in terms of wear ability if you selected non-mass produced jewelry, or jewelry that wasn’t made in huge production runs. If you are looking for high quality handmade jewelry in Seattle, look for the artisan’s name attached to the piece. This represents both reputation and quality. Fortunately, quality and uniqueness are typically apparent to the careful observer.
Handmade jewelry affords the pleasure of unique, often rare designs, which are not-identical, typically made by a true artist, with great love and passion. Producing well made and designed jewelry is an art form. This strength of feeling comes across in the design process, and in the finished jewelry itself. Mass-produced items simply have less soul. Handcrafted jewelry also better displays the wearer’s personal touch and style, revealing individuality and interest. To wear mass-produced jewelry, of a common style, lends the wearer the perception of being somewhat mass-produced. Mass-produced jewelry can indeed be less expensive to purchase, as it’s definitely less expensive to produce, but it is not necessarily less expensive to purchase. Simply put, mass-produced is just that…cookie cutter soulless jewelry with no special meaning, no story to tell, no life. When’s the last time you told a story about that one pair of earrings you bought from your favorite Seattle department store ( you know, the one’s picked from twenty identical pairs)? Probably never. With handmade jewelry, it’s a pleasure to be able to tell admirers the story behind what you are wearing. Simply put, handmade jewelry is a joy to wear!